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Research

Label question (“Gallery Pro Arte – Bologna, 1973”)

yaka label fantin pro arte bologna suku

One of the big surprises in the last Christie’s sale was the Yaka figure illustrated below (info). While one could easily have overlooked this lot in the auction catalogue, this big and exceptionally strongly carved statue just owned the preview room it was presented in.

Notwithstanding the fact that Christie’s only mentions a private French collection as the provenance of this figure, an old label in Dutch on the base of the figure indicates the statue has much more history; translated it reads:

Collectie Mario Fantin, Bologna, Italy
Mario Fantin was a mountaineer – collector – researcher.
He made a lot of trips to Asia and was the first to succesfully climb the K2 in the Himalaya. He traveled 20 times to Africa and wrote a book about Ivory Coast.
This statue was exhibited in 1973 in Galerie Pro Arte in Bologna and was illustrated on the exhibition’s poster.
In 1983, after the death of Mario Fantin, this statue was acquired by Paolo Morigi.

I was wondering if anyone recognizes this label ? Surely, it can’t be the only one of this type.

Also, I haven’t been able to track down this ‘Pro Arte’ gallery (which apparently was active in Bologna in 1973).

If anyone would have an idea of that exhibition poster, that would be great too.

Prove that Morigi indeed acquired a lot of objects from the Fantin collection can be found in the auction catalogue of the Morigi collection (Sotheby’s, Paris, “Collection Paolo Morigi”, 6 June 2005.): lot 20, 41, 57, 64, 77, 78, 79, 112, 122 and 123 all came from Fantin – so that part of the story is plausible.

Fingers crossed somebody knows more !

UPDATE: Beppe Berna, who runs an African art gallery in Bologna, was so kind to do some research. He checked the yearbooks of the local association of galleries (of which he has been president) of those years and could find no trace of a gallery with the name ‘Pro Arte’. Berna was able to trace three ‘Pro Arte’ galleries: in 1973 there was one in Morges (Switzerland) and one in Mexico City and in 1987 one in Lugano (Switzerland). Strange !

 

Image courtesy of Christie's.
Image courtesy of Christie’s.
Categories
Exhibtions News

Exhibition tip: “Giant Masks from the Congo” (Brussels, May-September 2015)

Giant Masks from the Congo Suku kakungu Belvue Bruno Claessens

If you are in Brussels for BRUNEAF, don’t forget to visit “Giant Masks from the Congo” (info). It’s only a 3 minute walk from the Sablon (Place des Palais 7), and highly recommended (& free!). It’s an exhibition only the Tervuren museum could accomplish – showing for example half of the existing Suku kakungu masks: very impressive to say the least ! A small catalogue, written by Julien Volper, is available in Dutch, French and English.

Giant Masks from the Congo Yaka Suku masks Bruno Claessens Brussels

Giant masks from the Congo Yaka Suku figures Mbala Pende

Categories
Exhibtions News

“Giant Masks from the Congo”, an exhibition at the Brussels Belvue Museum (May- September 2015)

Giant Masks from the Congo Yaka Suku Belvue museum

From Friday 15 May to Wednesday 2 September 2015, the Brussels Belvue Museum (5 minutes walking from the Sablon) will be hosting the exhibition Giant Masks from the Congo – A Belgian Jesuit ethnographic heritage (info). It is a collaboration of the Royal Museum of Central Africa, the Belgian Society of Jesus, BELvue Museum, and the King Baudouin Foundation and will show a series of (“giant”) Yaka and Suku masks used during initiation rituals. Objects from the Heverlee missionary collections are complemented with masks and statues from the collections of Tervuren. A catalogue will accompany the exhibition and the entrance will be free.

While working in the Belgian Congo, Jesuit missionaries also carried out ethnographic research and collected objects. The historical and cultural context of this endeavour introduces this exhibit, which features a set of masks used during the mukanda male initiation rite among the Yaka and the Suku. These masks are remarkable in their exceptional form and design. Most of these pieces have never before been seen in public or in print.

The first part of the exhibit describes the work of the Jesuits in the Kwango mission and provides the portrait of several Jesuit collectors. A wealth of documents – handwritten letters, published excerpts, maps – sketches out the context in which pieces were collected and the collaboration that began in the 1930s between the museum and the Jesuits. The RMCA holds the large collection from the former Jesuit missionary museum in Heverlee in trust and is in charge of its conservation, archiving, restoration, and scientific analysis. The second part presents the mukanda rite among the Yaka and Suku, as well as a few neighbouring groups.

In 2013, the Belvue Museum hosted another exhibition (Dr Livingstone, I presume) that showed African art – you can find pictures of it on the blog of François Boulanger here.