Please be so kind to note in your agenda that Christie’s’ next African and Oceanic art sale in Paris will take place on Tuesday 10 April 2018. After successfully implying our new agenda in 2017, we thus continue to have sales early April. The viewing days will be:
– Thursday 5 April, 10am-6pm
– Friday 6 April, 10am-6pm
– Saturday 7 April, 10am-6pm
– Sunday 8 April, 2 pm-6pm
– Monday 9 April, 10am-6pm
We’ll be selling about 95 objects, about half of them originating from Oceania. For the sale we’ve reunited 3 objects from the La Korrigane expedition and rediscovered many more polynesian and melanesian treasures. I’m also very excited about the 20 unknown Congolese masterpieces I uncovered in a very private Belgium collection. Furthermore, there’s an historical Luba stool which was already exhibited at the Brooklyn Museum in 1937. The cover piece will be an exquisite Fang statue of which you find a teaser above. We’ll also be selling a part of the private collection of Hans Sonnenberg – famous in The Netherlands, but yet unknown outside the country (below you can find a short biography I wrote for the catalogue). We have also relaunched our Pre-Columbian art department earlier this year – with Fatma Turkkan-Wille as its director, and on Monday 9 April we’ll be selling the prestigious Prigogine Collection; more info about that sale here. Anyway, I can’t reveal too much other information just yet, but I can guarantee you it will be worth a trip to Paris! We might have some objects of other upcoming sales on view as well..
Hans Sonnenberg (1928-2017), a Rotterdam art dealer and collector, was best known as ‘Mr. Delta’, after the gallery with which he had a huge impact on the Dutch art scene for more than 50 years. In addition to his job as a port agent (which he would keep until 1972), Sonnenberg was already an avid art collector at an early age. In 1954, he organized his first exhibition, and in 1958 he met Piero Manzoni, from whom he would later exhibit and sell several so-called Achromes. In 1958, Sonnenberg’s active role in the art world began as he founded the group Zero (not to be confused with its German counterpart with the same name), which included artists such as Piero Manzoni, Emil Schumacher and Jan Schoonhoven. The group’s work was related to the French art informel and American abstract expressionism and put on the map by Sonnenberg in the Netherlands through a number of expositions curated by him at Galerie Eroz.
When it opened in 1962, Sonnenberg’s Gallery Delta was the first in Rotterdam to focus solely on showing and selling art from living artists. With numerous exhibitions, it promoted successive emerging national and international art movements (such as Cobra, Popart and the ‘Nieuwe Wilden’) in The Netherlands. Sonnenberg exhibited works by Castellani, Appel, Constant, Jorn, Hockney, Oldenburg, Warhol, Lichtenstein, Haring, Scharf and emerging Rotterdam artists. The sale of the work of these avant-garde artists unfortunately never really took off, and commercial success failed to materialize (one client even returning a Warhol). In 1982, Sonnenberg for the first time exhibited the work of Jean-Michel Basquiat in the Netherlands. However, none of the five works purchased in the artist’s studio in New York would sell. Due to this disappointing success of foreign artists from the 1980s on Sonnenberg would focus more than before on Dutch artists, for who he had discovered a local collector base.
Generations Dutch art lovers, collectors, museum directors, curators and gallery owners started their career with a visit to Gallery Delta. As an art promoter pur sang, Sonnenberg for decades had a large and stimulating input on the Rotterdam and Dutch art scene. In 2000 he donated an important part of his personal collection of paintings to the Museum Boijmans Van Beuningen in Rotterdam, including works by Basquiat, Manzoni, Arman, Hockney, Hamilton, Kusama, etc. The same museum in 2012 honored him with the exhibition ‘Mr. Delta’, following the 50th anniversary of his gallery.
Sonnenberg’s collection of African and Oceanic art belonged to his private domain; it formed an integral part of his apartment, where the important group of Malagan objects from New Ireland occupied a considerable part of the living room. Sonnenberg started collecting at the start of the seventies of the last century. His archives unfortunately contain little information about this part of his life as a collector. From sparse old correspondence we know, however, that he bought from traders like Jan Visser in Amsterdam and also frequently traveled to Brussels and Paris. He also exchanged statues with Jaap Wagemaker (one of his artists) and with Joop Schafthuizen, the partner of Gerard Reve. Visitors to his apartment would always receive a passionate tour through his collection. It should not be surprising that an art connoisseur with such an avant-garde taste for paintings also had an interest in non-European art.