Monthly Archives: March 2017

“Picasso Primitif” at the Musée du quai Branly – Jacques Chirac (Paris, 28 March – 23 July 2017)

Timed with the preview of our April sale (info), next Tuesday sees the opening of the highly anticipated exhibition Picasso Primitif at the Musée du quai Branly – Jacques Chirac in Paris. Organized in collaboration with the Musée National Picasso and curated by Yves Le Fur, Picasso Primtif aims to explore the links between the omnipresent artist and the non-Western arts. This exhibition aims to decipher this relationship born of admiration, respect and fear. On the museum’s website we read:

“Negro art? Don’t know it.” It was with this provocative tone that the Andalusian painter, sculptor and graphic artist made a point of denying his relationship with non-European art. However, and as his personal collection demonstrates, the arts of Africa, Oceania, the Americas and Asia never ceased to accompany him in all his various studios. The documents, letters, objects and photographs brought together in the first part of the exhibition and displayed chronologically, are evidence of this, demonstrating Picasso’s interests and curiosity about non-Western creation.

In a second, more conceptual section, Primitive Picasso offers a comparative view of the artist’s works with those of non-Western artists, and leans more towards an anthropology of art than an analysis of aesthetic relationships. The resulting confrontation reveals the similar issues those artists have had to address (nudity, sexuality, impulses and loss) through parallel plastic solutions (deforming or deconstructing bodies, for example). Primitive art, therefore, is no longer considered to be a stage of non-development, but rather an access to the deepest, most fundamental layers of the human being.

It was about time somebody organized this exhibition; fingers crossed it exceeds the expectations. I must admit I was quite surprised by the show’s title, as the word ‘Primitive’ in general is widely frowned upon by the scholarly community when talking about non-Western art, but I guess it sounded catchy as a title.

One year at Christie’s – ask me anything #AMA

Tempus fugit; last month marked my 1st year anniversary as the European director of the African and Oceanic Department at Christie’s. It’s been one hell of ride so far! The above picture sums up the year nicely. To ‘celebrate’ I thought of doing an ‘ask me anything’. The format is quite simple. There is no format. Just mail me whatever question you have and I’ll post the answers on here 🙂 Please allow me some time to answer as I have some busy days ahead. Thanks, Bruno

Javier Peres announced as honorary president of Parcours des Mondes 2017

Parcours des Mondes recently announced this year’s honorary president: Javier Peres, a young contemporary art dealer and the founder of the cutting-edge gallery Peres Projects. Peres has been enthusiastically been collecting African art for more than 10 years, you can download an interview with him published in the Spring 2016 issue of Tribal Art Magazine here. In 2016, he published ‘Wild Style – Group Spirit’ (for sale here), the catalogue documenting the two group shows he organized exhibiting African art from his collection alongside contemporary art from his gallery. I’ve seen many unsuccessful attempts of mixing the two, but this contemporary art dealer, with a deep passion and engagement with both fields, gets it right.

This year’s edition of Parcours (the 16th already) will run from 12 to 17 September 2017. Peres Projects will also be exhibiting a small selection of African Art during the contemporary art fair Independent Brussels from 20 to 23 April in Brussels. Several works of Peres’ collection will also be included during the exhibition “Pascali Sciamano” at the Fondazione Carriero, which runs from 24 March to 24 June in Milan, Italy (info). Just to say that Peres indeed will be the perfect ambassador for this year’s edition of Parcours des Mondes. Below some images of his exhibition ‘Wild Style’ (more here).

‘Wild Style’ as well included a performance by the boundary-breaking artist Donna Huanca, who recently also had a highly-acclaimed exhibition at the Zabludowicz Collection in London. Below some pictures; the dialogue between contemporary and African art has never been so intense.

Catalogue online: Christie’s, Paris, 4 April 2017 (African and Oceanic art from the Laprugne collection & various owners)

I’m very proud to announce that our new catalogue is ready; you can find it online here. Now you know why it was so silent on these pages these last few weeks.. The first part of this sale will be dedicated to the Laprugne collection (comprising 78 lots), and the second section will present objects from various owners. Now at the vanguard of the auction season, Christie’s’ African and Oceanic Art department has shifted its auction calendar to coincide better with the rhythm of the market. Coinciding with the highly anticipated opening of the “Picasso Primitif” exhibition at the Musée du Quai Branly-Jacques Chirac, it surely will be worth a trip to Paris.

Built over several decades, the Laprugne collection spans all continents and is the lifework of Mr. and Mrs. Laprugne. Starting in the 1970s, Jean-Pierre Laprugne ran the Parisian gallery ‘Mazarine 52’, which specialized in African and Oceanic art. In his early twenties, abandoning his position as a teacher early on, Jean-Pierre Laprugne saw it as his life mission to save these works of art from oblivion and reveal their origins and artistic merits in his gallery. In a classical French tradition, he honed his knowledge through tireless visits to flea markets at dawn and a large network of amateurs which he also frequently met at Hotel Drouot. Over time, this would yield countless treasures. His gallery quickly became a popular meeting spot in the Saint-Germain quarter thanks to Jean-Pierre’s knowledge, open mind and good humor. He inspired a whole generation of likeminded collectors and dealers with his contagious passion. Through the years he was able to build up an exquisite private collection, discretely safeguarding the masterpieces he found for his private sanctuary. At the heart of his collection is a unique group of 7 Kota reliquary figures from Gabon, displaying the unique diversity these guardian figures can show. This exciting collection contains many more unseen and unpublished treasures never before on the market.

The sale of the Laprugne collection continues into the various owners sale, including two dedicated sections. A first group of objects, all miniatures under 20 centimeters, demonstrates the virtuosity of African artists when sculpting small-scale objects. A second section presents a carefully selected group of African and Oceanic masks from the highest quality showing the incredible creativity in the reinvention of the human face. Amongst these masks, a rediscovered archaic Sepik River mask from Papua New Guinea which has remained in the same family since being acquired at the famous auction of the collection of André Lefèvre in 1965 (lot 96). With these focused selections we respond to the current market’s desire to explore categories in-depth. Normally considered in the context of a museum, this comparative approach represents a fresh perspective in the auction model to appeal to seasoned collectors and new audiences alike. Last but not least, and a bit hidden in the middle of the catalogue, is the iconic Dogon mask formerly in the collections of Rene Rasmussen and Gaston de Havenon – lot 82 (on which I will write more later).

A small selection of highlights (including the Dogon mask) will go on view this Thursday 16 March until Tuesday 21 March (daily from 10 am to 6pm).

The viewing days of the sale are:

Wednesday 29 March: 10am-6pm
Thursday 30 March: 10am-6pm
Friday 31 March: 10am-6pm
Saturday 1 April: 10am-6pm
Sunday 2 April: 2pm-6pm
Monday 3 April: 10am-6pm
Tuesday 4 April: 10am-1pm

The sale will take place on Tuesday April 4th at 4pm. Don’t hesitate to contact me for any more information, condition reports or additional pictures. Hope to see you in Paris!